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Sunday, March 4, 2012

Imaginary Homelands: The Good in Grappling with Dual Identities


In his essay “Imaginary Homelands”, Salman Rushdie raises the point that duality in an author’s identity provides a highly unique point of view within their work.  Rushide describes his experience writing his novel Midnight’s Children on the basis of his experience relocating to Britain from India.  In regards to the standpoint he has on being an author with a dual sense of identity from both cultures he says: “Our identity is at once plural and partial.  Sometimes we feel that we straddle two cultures; at other times, that we fall between two stools.  But however ambiguous and shifting this ground may be, it is not an infertile territory for a writer to occupy if literature is in part the business of finding new angles at which to enter reality, then once again our distance, our long geographical perspective may provide us with such an angles.” I personally agree with Rushdie’s point here and believe that it holds true not only for those of dual geographical or national identity, but for those with intersecting identities involving race and gender as well.  Authors who have personally experienced and grappling with several components that make up their identity are at an advantage of having a unique position.  Although it may pose challenges within their writing, (for example Rushdie contemplates writing in English over his native language) it also enables them to tell a story that is nonetheless distinct and valuable.  For example, being a man of color within a society that functions on white privilege and is primarily patriarchal has a different experience to tell than a woman of color that lives in the same society that imposes those constraints.  Though it may be difficult for the author, the “territory” that he/she occupies is still valuable and is worth being read and listened to.  Literature has the ability to provide a space for these stories to add richness to communicating the human experience and I think Rushdie’s statement within his essay upholds this idea. 

3 comments:

  1. I think you hit the nail on the head with your analysis of Rushdie's essay- writers grappling with colorful personal identities can produce beautiful, rich works that speak to diverse audiences. But, your post also reminded me of a fun, less serious example of merging worlds in literature. Haruki Murakami is one of my favorite authors, and his Japanese novels are strongly influenced by Western culture. For instance, one of his most notorious works, Norwegian Wood, is titled after the Beatles song. http://en.wikipedia.org/wiki/Haruki_Murakami

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  2. Nice evaluation of Rushdie's "Imaginary Homelands". I found his essay very insightful and I later watched an interview with Rushdie. Your post is also very interesting and it expands on what Rushdie was discussing within his writing.

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  3. i think the beginning of your analysis is concise and fit well to the what Rushdie was trying to convey. But I failed to achieve from your interpretation is the explanation of the example you provided, not quiet sure what you meant there. Props for the effort thought.

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